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Review: Swerve

An inoffensive and middle-of-the-road scrap of ’90s-flavored scuzz cinema, Craig Lahiff’s Swerve might belong to a small but passionate Ozploitation genre known as Outback Noir. Australia is a country coated liberally by extended, flat, mostly unpopulated plains, its sparse cities therein connected by miles upon miles of unending asphalt veins. If the movies are any accurate indicator, those small towns are chock full of…

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