“Funk is fun,” says the legendary George Clinton, right at the start of the 2005 documentary Parliament Funkadelic: One Nation Under A Groove. “It’s a state of mind. But it’s also all the ramifications of that state of mind. Once you do the best you can, funk it!”
Directed by Yvonne Smith, the hour-long Groove is upfront about its hagiography. It’s a feel-good film made to appeal to longtime fans while outlining the cultural contributions and political significance of George Clinton’s sprawling funk empire (the multiple bands he nurtured and artists he took under wing) for funk neophytes. Because the subject matter is both enthralling and underreported outside funk environs, the film is much more than a puff piece. It packs a lot of information and analysis into its brief running time. And it’s never ever dry.
LIVERPOOL, ENGLAND – MAY 1971: (L-R) Fuzzy Haskins, Tawl Ross, Bernie Worrell, Tiki Fulwood, Grady Thomas, George Clinton, Ray Davis, Calvin Simon and seated Eddie Hazel and Billy “Bass” Nelson of the funk band Parliament-Funkadelic pose for a portrait in May 1971 in Liverpool, England. (Photo by Michael Ochs Archives/Getty Images)
An animated narrator whose sartorial style is a hard nod to the P-Funk aesthetic (and who mysteriously vanishes about half way through the film) kicks things off by narrating funk’s origin story from its humble beginnings in 1956 New Jersey, where George Clinton formed the Parliaments, a doo-wop group that would become the structural bones for his funk empire. Years of struggle went by as the group tried to find its style and sound (including a disastrous debut at the legendary Apollo Theater in Harlem.) Film director and funk aficionado Reggie Hudlin makes the point that their efforts to conform to doo-wop parameters were doomed to fail because they were intrinsically left of center. That point was made at the volatile ‘60s came to an end, and Parliament – through trial & error, some happy career accidents, and doses of LSD – came upon the formula that would set them apart from every other pop, R&B, and rock band of the time. There’s great footage of them from 1969 performing their single “What is Soul?” (the definition they give is very, very funk) as they’re decked out in garb that shows their unique black twist on the hippie aesthetic. Matching suits and slick choreography have been thoroughly jettisoned.
Talking heads ranging from critics (writer Ricky Vincent) to hip-hop legends (Ice Cube; De La Soul; Digital Underground’s Shock G) to artist fans (Flea and Anthony Kiedis from the Red Hot Chili Peppers; Rick James; Nona Hendryx) all chart the group’s sound, evolution and immeasurable influence, while band members (Bootsy Collins; Bernie Worrell) give the inside scoop on internal workings and self-analysis of their art. “‘Maggot Brain’ is a brother crying his soul out,” says the late Garry Shider, lead guitarist and vocalist, in describing one of the collective’s classic tracks. “[It’s] a state of mind.”
Parliament Funkdelic; JUKE Magazine
But what really holds it all together are the still extraordinary performance clips. Clinton & company were blending performance art, rock show theatrics, and Motown finesse, and then scaling it up to operatic proportions. There’s still nothing quite like their shows, which were about black liberation on every front – cultural, psychological, political, and sexual. And they show & prove their manifesto that funk is cerebral and spiritual (not cloying, corny New Age spiritualism,) libidinal and esoteric, philosophical and plainspoken. It’s about the most brilliant, improvised and tight musicianship put in the service of layered escapism, with a mandate to “free minds and asses.”
Photos: GeorgeClinton.com
Previously on Art Doc of the Week:
Art Doc of the Week
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Art Doc of the Week | Los Punks: We Are All We Have
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Art Doc of the Week | McQueen and I
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Art Doc of the Week | Who Is Poly Styrene?
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Art Doc of the Week | Eva Hesse
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Art Doc of the Week | Packed in a Trunk
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Art Doc of the Week | The Kate Bush Story
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Art Doc of the Week | Nikki Giovanni and Muhammad Ali in Conversation
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Art Doc of the Week | They Will Have to Kill Us First
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Art Doc of the Week | Step Up and Be Vocal
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Art Doc of the Week | Mapplethorpe: Look at the Pictures
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Art Doc of the Week | Parliament Funkadelic: One Nation Under A Groove
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Art Doc of the Week | Pete Seeger: The Power of Song
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Art Doc of the Week | The Post Impressionists: Munch
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Art Doc of the Week | Detroit, Vogue
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Art Doc of the Week | Colored Frames
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Art Doc of the Week | Spirits of Rebellion
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Art Doc of the Week | Five
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Art Doc of the Week | Masters of Photography: Diane Arbus
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Art Doc of the Week | Dorothea Lange: An American Odyssey
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Art Doc of the Week | Out and Bad: London’s LGBT Dancehall Scene
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Art Doc of the Week | And When I Die, I Won't Stay Dead
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Art Doc of the Week | The Sound of Redemption
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Art Doc of the Week | It Came from Kuchar
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Art Doc of the Week | Tamara de Lempicka
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Art Doc of the Week | Jaco
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Art Doc of the Week | Janis Joplin: Little Girl Blue
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Art Doc of the Week | The Many Faces of Billie Holiday
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Art Doc of the Week | Anita Sarko
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Art Doc of the Week | Antonio Gaudi
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Art Doc of the Week | Poetry of Resilience