As I sit down to write an editorial about why a potentially evil corporate monstrosity has a valid argument in the fight against creator rights I find myself sick to my stomach. This is what the world of cinematic art and commerce has come to: a complete reversal of the longstanding critical analysis paradigm that says filmmakers are always right when they stand up…
Scott & Stonebridge go undercover in a Russian prison to find a hacker. But somebody finds them first...
